Affichage des articles dont le libellé est my favorites things. Afficher tous les articles
Affichage des articles dont le libellé est my favorites things. Afficher tous les articles

SCORSESE graphic novel is coming soon in 2021

Right After adapting 1984 after Orwell, i wanted to write something of my own.
And i choose to do the life of my favorite director of all times, my forever inspiration :

MARTIN SCORSESE.

It will be a 200 plus pages of graphic novel tale of his youth in Little Italy and what it meant for the young Martin to become one of the most important director still alive today.

I can't say how much i'm thrillled to do this one, and some pages i produced are already among my favorite ever. Il will show you pages here, from time to time.


SCORSESE is coming soon in 2021...

 

here a teaser gif.

 

Scorsese showing his love for Kubrick...

 
There sureley will be a bonus section where this one will find its place...

The unlighted version of neon...



 




My year 2020

2020 was awful for everybody, stay in quarantine at home...
like any other day for a cartoonist, so once your family and friends are safe, that doesn't change much, if you have work. But i had to find work in the first semester of 2020. Yep...

I have worked a lot anyway and i even did some first for me (A screenprint 60x80 cm, a poster for a SHAKESPEARE play, and the full design of a 12 Inch Gatefold LP...)
Here is my year 2020.







 

 

 

New book is being written...

 

 
 
I got lucky to work with amazing writers (Sybille Titeux and Jared Reinmuth) their universe is fascinating  and miles away from my graphic obsessions, but more in sync with my adult tastes and sense of morality. But once in a while, it's good to pleasure yourself (that may have sound odd...).

My love for Cinema is without limit. I wrote CLAN as a love letter to Japan Cinema. All those great samurai and ronin movies. Past or present, i love most of them. SWORD OF DOOM is my favorite, but HARAKIRI or GOYOKIN are also source of great pleasure for me. I don't know if they can still make films like those as you wait for the good 2/3 of the movie to see the tension explode in mayhem.
I love those FUKASAKU yakuza flicks. And their offspring the ones from TAKESHI KITANO.
I did put together the film that would never be... my version of ZATOICHI versus a YAKUZA clan.

I wrote and drew CASH COWBOYS to play with the genre of those action thrillers, with a bit of love for Kurosawa in it, as the story is told using a RASHOMON narrative device and a huge nod to YOJIMBO.

But this new book i will write and draw will be more focused on one filmaker i adore.
That will be a new experience, and a very exciting one.

It is set to be publish in 2021, so i wil have 2 big books this year. yeah !
More news in couple of months.

>>
J'ai toujours eu de la chance avec mes scénaristes (Sybille Titeux and Jared Reinmuth), leur univers est si différent du mien que je peux me concentrer sur mes obsessions graphiques entre deux incursions dans un monde plus adulte, plus moral et plus engagé. Et surtout mieux écrit.

Mais de temps en temps, il est bon de se faire plaisir tout seul (je sais ça sonne un peu bizarre mais c'est vrai).
Et mon amour sans limite pour le cinéma reste la majeure influence de mon travail. J'ai écrit CLAN comme une lettre d'amour au cinéma japonais, à tous ces films de samurai et de ronin, passé ou présent. je les aime presque tous. SWORD OF DOOM  est l'un de mes préférés, mais HARAKIRI ou GOYOKIN sont aussi de grandes sources de plaisir pour moi. Je ne sais pas si il serait encore possible de faire des films comme ça de nos jours. Attendre les 2/3 du film pour enfin pouvoir relâcher la tension si longtemps accumulée dans une scène finale mémorable.
j'aime aussi les films de yakuza de  KENKI FUKASAKU et ceux de TAKESHI KITANO.
C'est pour cela que j'ai imaginé le film qui ne sera jamais moderne ZAOTOICHI contre un CLAN de yakuza.
J'ai écrit et dessiné CASH COWBOYS pour jouer avec le genre ACTION THRILLER, mais je n'ai pas pu m'empêcher d'y ajouter une touche japonaise, en construisant l'intrigue autour l'outil narratif ingénieux de KUROSAWA ; l'histoire racontée à la RASHOMON... avec une touche de YOJIMBO.

Mon nouveau livre que je vais écrire et dessiné, sera centré autour d'un seul réalisateur.
Cela sera une toute nouvelle expérience, mais une sacrément excitante.

Celui-là est prévu pour 2021, donc j'aurai 2 gros livres cette année, yeah !
Plus de news dans quelques mois.

-Amé-


MASK AZTEK



All cartoonists have a secret passion project they cultivate on their spare time. Spare time i don't have  anymore as i got an extra full slate of huge books to produce for many years.
This one was mine, i use the past tense here because i doubt it could see the light of the sun one day. It's time to let go and show it to you... at least the few bits i produced.
It is the comics adaptation of a short story written by the great Paco Ignacio Taibo 2, intituled "MASK AZTEK" or in it's original mexican version "Mascara Azteca y el doctor nuebla". I resume it shortly as  'a mexican V FOR VENDETTA'.

We see the infamous writer José Daniel Fierro returning in his native Mexico to fight against the dictature. He stole an aztek mask in the museum and naked only wearing it, he is photographied and became the symbol of the resistance.
What's not to like with a story like that, except if you are a fascist scum...
Mask Aztek don't pose bomb or such, he make the enemy ridicule, as a stoopid giant who can't close an umbrella before boarding a plane. He of course shoot one or two fascists spawns to defende himself but he mostly organize the uprising of the people.

I worked with my all time favorite novelist on this wonderful story full of wit, action and political chess and it was awesome. I produce an handful of the best pages i ever did. But nobody wanted to publish it. Comics is still a bad word in France, fuck.

So now , after 12 years i decide to stop dreaming and show it to you...
Ladies and gentlemen, let me introduce you to MASK AZTEK!







I did some teasers for it and even an animated gif... who ended becoming the animated title of the greek documentary LATIN NOIR who is about mexican noir authors, which i also did the logo for. It had also Paco reading the first chapter of CUATRO MANOS* while my pages were seen on screen.

*(the book adaptation we worked on before our editor went chapter 11, and noone would continue with us...)



Here the poster that Mask Aztek paste on the wall of mexico D.F. at night on top of the dictature propaganda...


And also some teasers...






And some inking drawing.
You can see that this project is so old, i did it on paper...




So long Mask Azek...

ATTICA graphic Novel



Yesterday (september 13) was the 46th anniversary of the UPRISING OF ATTICA.
For few months, i've worked (among many others things) on a graphic novel retelling what really happened in ATTICA. The Writer JARED REINMUTH has wrote a screenplay with FRANK -BIG BLACK - SMITH (you can't missed him, it's the BIG MAN "BB" on the famous shot of the ATTICA).

BIG BLACK was an inmate and the head of security during the UPRISING, he was also brutally tortured by the guards and state troopers in the aftermath of the attack. After he finished his time he still had a beef with Govenor Rockefeller and he sued. That trial took almost three decades, but he had the neck of Rockefeller, first, and he ruined his chances of getting elected POTUS.

But the movie was never made. And this great story HAD to be told, and i was asked to make it in flat pictures in a fat book. My job was to make it, as good, or even better than the MUHAMMAD ALI biopic i did with Sybille Titeux De La Croix.

I fell in love for this story, the theme first stroke me, but also the beauty of the words. Why use 10 words when you can use the right one, right away. The script was tight and beautiful. Right now we are almost at the half of this 120 to 130 pages graphic novel and it will be finished before the end of 2017.
We don't have an editor yet, but we are confident in the quality of our book. And this story had to be told. I will show you few pages and post some news about it... on a regular basis.

The title of the book is "BIG BLACK : STAND AT ATTICA"

My email is zeroomstudio[at]gmail[dot]com if you want some infos or more.
>>>> here you have my version of the famous shot 
of the negociation table in the D YARD at ATTICA, 
where the inmates, perfectly organised, 
try to gain some kind of basic human rights for them 
and all the others inmates in United States.






>>>> The first page of our book.








>>>> The famous phrase who resonate in American History.



>>>> BIG BLACK passed away in 2004,
but his life is and will be an example for us all. Respect.




AMEZIANE +ELEKTRA dans CASEMATE 78

(text in english are below in bold)

 "AMEZIANE shocked by ELEKTRA"


Les gars de CASEMATE m'ont demandé de parler d'un album qui m'a marqué pour le numéro spécial Angoulème 2015. Alors ça n'a pas été très dur de choisir, soit c'est AKIRA soit c'est un livre de MILLER entre 1979 et 1999 (bien que j'ai tenté de faire mon texte sur THE PRIVATE EYE de BRIAN K.VAUGHAN et MARCOS MARTIN... next time).
J'ai choisi ELEKTRA ASSASSIN de FRANK MILLER et BILL SIENKIEWICZ. 


 "If you let SIENKIE with a paper, a nail and some carrot juice, he'll would create something great" 
- AMAZING AMEZIANE -

Je tente depuis des années à mélanger mes 2 influences SIENKIEWICZ et OTOMO et c'est pas simple. Après avoir analyser (encore une fois) mes deux pages préférées, j'ai écrit un petit texte pour faire passer ma"LOVE" pour le travail de FRANK & BILL. Ne me remerciez pas, tout le plaisir est pour moi.

Je vous laisse lire ça tranquillement dans le CASEMATE n°78 (vous avez aussi un supplément MANARA ^^).

--------------------------------------------------------------------------------------

 "Politics, religion incest, perversion, graphic violence, dark humor, all that and more is in ELEKTRA"
 - AMAZING AMEZIANE -

The nice floks at CASEMATE (one of the 2 majors comics magazines in France) asked me to talk about one comics i like most for the special issue due for ANGOULEME 2015. It wasn't hard to choose, it could only be AKIRA or ANYTHING by FRANK MILLER between 1979 and 1999 (even if i tryed to write about THE PRIVATE EYE by BRIAN K.VAUGHAN & MARCOS MARTIN... next time folls ^^). I choose ELEKTRA ASSASSIN by FRANK MILLER & BILL SIENKIEWICZ.

As an artist, i try, for many years now to blend the 2 majors influences SIENKIEWICZ & OTOMO in my work, and that's not very easy... After studying (one more time ) my 2 favorites pages, i wrote a small text to make you "love" the work of FRANK & BILL. Don't thank me, all pleasure was mine.

You can read it in french, if you understand the language of MARION COTILLARD or if you are in France during the next month to buy it.




ELEKTRA ASSASSIN part 1 pages 22 +23
EPIC/MARVEL 1986.



CLAN

Laissez-moi vous présenter mon prochain livre.
La couverture
et quelques images

SABURO est un jeune OYABUN ambitieux et impatient.
il va déclencher une guerre des gangs pour prendre le pouvoir.

Mais l'OYABUN de TOKYO, JIRO KODAMA, ne va pas abdiquer comme ça.
Avec l'aide de TAKESHI, son second, il va faire sortir de prison SHI, 
après 30 ans d'isolement pour tuer SABURO.

 Honneur, trahison, corruption, golf privé, JAV, love hotel...
ils seront tous dans "CLAN".

Avant que yahoo foute la merde, j'avais créé ce petit tumblr qui regroupait tout ce qui avait un rapport avec ZATOICHI, KITANO et KUROSAWA. Allez-y de ma part, y a du bon.
http://fuckyeahzatoichi.tumblr.com/ 



TUCO...

Rip ELI WALLACH (25/06/14)

Tuco Benedicio Pacifico Juan Maria Ramirez est de loin mon personnage de fiction préféré.
Avec lui on passe du rire aux larmes. Il nous faut arriver à la moitié du film "LE BON , LA BRUTE et LE TRUAND" pour se rendre compte que les trois persos, sont à tour de rôle chacun un peu BON, BRUTE et TRUAND... quoique le coté "BON" de SENTENZA/ANGEL EYES ne saute pas aux yeux... ^^

j'ai fait ce sketch pendant que je regardais le film, un oeil sur YOUTUBE et l'autre sur PHOTOSHOP, une petite habitude qui aide à assurer les parties mécaniques et répétitives de ce beau métier.




BARBUDOS #1

Few times ago, i dug in the bottom of my hardrives to find some materials to post in here since i'm working on comics projects i can't show right now. After opening hundreds of files, something strange came up... i saw a lot of bearded men in my images, and when i say A LOT, believe me.
I work mostly on crime stories and those manly men stuff, so it's not a big surprise to see an high amount of facial hair on those comics pages, but my SCI FI stories are also filled with facial hair and also my funny stories. TWO of my last THREE books had bearded men on the cover.
So as a game, i start to putting in a folder all my BEARDED ILLO, and may be one day paste them on the same page. A man must not fight his obsession, even the graphic ones. So i did just that and it filled one full page of 12 square picts... and i wasn't even finished. Before i had finished i did TWO more, i'll show them to you later...
I choose the theme of this first GRAPHIC OBSESSION series, it's called "BARBUDOS", which means of course BEARDED MEN in Spanish, and most precisely in CUBAN. FIDEL CASTRO and most of his compadres in the SIERRA MAESTRA didn't took time to shave when they did the revolution hidden in the moutains, they had too little time for vanity, they just wanted (at the beginning) just get rid of Batista the dictator. When they won (you can see that part in THE GODFATHER PART 2 and in CHE part 1 & 2), they were the Men. To blow up steam, they play BASEBALL. FIDEL & his men out together a team and named it "BARBUDOS" because that's who they were. They didn't shave after the victory.
Many years later, when i worked on the comics adaptation of the novel , CUATRO MANOS (FOUR HANDS) with his author PACO IGNACIO TAIBO 2, he told me that story, and suggest that one of the character (JULIO, the mexican journalist) should wear a BASEBALL shirt of this particular Cuban team.
Then here we are 10 YEARS later, with a series of details of my illustrations.
People, i'll give you "BARBUDOS" part 1.


pict 1 > 3 - BRONSON (BAGMEN) / ICEBERG (BAGMEN) /AKUMYO (GAT - DIRECTOR'S CUT)
pict 4 > 6 - HARAKU (GAT - DIRECTOR'S CUT) / SANBON-NO-YUBI  (GAT - DIRECTOR'S CUT) / BYRON (CHARGER)
pict 7 > 9 - ##### (#####) / McQUEEN  (CUBA LIBRE) / CHUCK NORRIS (BE A REAL MAN)
pict 10 > 12 - BRONSON (HAPPY 2013) / JERRY SIMPSON  (I, MOBSTER) / DARK SAID (COMICSHOP)

INFLUENCE(s) part 1


 Quand on fait un COMICS aussi référentielle, les influences sont nombreuses. Que cela soit pour le ton de l'histoire, la narration cinémascope ou le style graphique choisi. Tout a un sens. Rien n'est là par hasard.
Je voulais une ambiance lourde, sombre. Le fait que les couleurs du livre aient été imprimées 15 % plus sombres a bizarrement joué en ma faveur. Plus de la moitié de l'histoire va se déroulé dans des endroits crasseux, ensablés et low tek. Le monde doré de VEGAS va contraster d'autant plus que les personnages vont devoir quitter cet univers ultra protégé... quoiqu'avec une bonne équipe de gars motivés, on arrive à tout.
ALICE est librement inspiré de la fille d'un mafia de VEGAS qui est "une grande artiste" là-bas. Couverte de tatouages, elle est la fierté de son père. La famille de feu JOHN GOTTI, a dans le NEW JERSEY participé à une TV REALITY SHOW où ils tentaient de se faire du cash pour garder la maison que papa GOTTI a payé en cassant des crânes et des rotules. Imaginez les KARDASHIANS dans la MAFIA et vous avez une idée de cet' affaire.
ALICE devait être une BADASS GIRL. Elle est capable de tenir tête à son père, et BOSS TORRIO fout les jetons et toutes les personnes qui ne croient pas en un paradis douillet dans les bras de JESUS. Je voulais qu'elle soit plus qu'une victime, une princesse à sortir de son donjon.





Le reste des références parlera à ceux qui ont lu le livre, car je ne veux pas trop SPOILER l'intrigue.
Je reviendrais plus tard et en détail sur mes influences. tcho.